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The hybridisation of different arts and genres is one of the peculiar aspects of Balzac's aesthetics, whose writings surprise for their originality and unsuspected modern perspective. In the first and second part of the thesis, the intersection points between novel and theatre will be analysed, while in the third it will be shown how these two genres, in a deep relation with the illustration, give life to atypical texts that sometimes cannot be classified or that appear anti-canonical, revealing another side of Balzac's poetics. Each section is made up of texts, whose specificity lies in the ability to combine different styles, languages, arts, exposing the mechanisms proper to 'mélange': theatricality in narrative works; the novel in the theatre; the inclusion of the image in the text; and Balzac's mode of writing, which is modelled on the uniqueness of each phenomenon.
Novels. --- Theaters. --- Balzac, Honoré de,
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The hybridisation of different arts and genres is one of the peculiar aspects of Balzac's aesthetics, whose writings surprise for their originality and unsuspected modern perspective. In the first and second part of the thesis, the intersection points between novel and theatre will be analysed, while in the third it will be shown how these two genres, in a deep relation with the illustration, give life to atypical texts that sometimes cannot be classified or that appear anti-canonical, revealing another side of Balzac's poetics. Each section is made up of texts, whose specificity lies in the ability to combine different styles, languages, arts, exposing the mechanisms proper to 'mélange': theatricality in narrative works; the novel in the theatre; the inclusion of the image in the text; and Balzac's mode of writing, which is modelled on the uniqueness of each phenomenon.
Novels. --- Theaters. --- Balzac, Honoré de,
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Theaters --- Dülberg, Ewald, - 1888-1933 --- Wagner, Richard, - 1813-1883
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Public buildings --- History of the Netherlands --- theaters [buildings] --- Amsterdam
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Champfleury (1821-1889) évoque le Spectacle des Funambules, théâtre parisien inauguré en 1813 boulevard du Temple, où se donnaient farces et pantomimes, qui abrita notamment le mime Jean-Gaspard Deburau, interprète de Pierrot jusqu'à sa mort en 1846.
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Un propos original et inédit sur la question du théâtre antique. Comment objets et autres éléments relevant de la mise en scène participent-ils pleinement à l'action dramatique dans le théâtre de l'Antiquité gréco-romaine ? En traitant de masques connus ou inédits, en s'intéressant de près aux vêtements-pièges, machines, cruches à eau, instruments de barbier, ou encore aux portes utilisés dans la tragédie, la comédie, le mime et la pantomime, les auteurs de ce volume collectif contribuent à porter un regard nouveau sur la scénographie des tragédies et comédies gréco-romaines. Auteurs étudiés : Eschyle, Sophocle, Euripide, Aristophane, Platon, Plaute.
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In this authoritative work, Seiler and Seiler argues that the establishment and development of moviegoing and movie exhibition in Prairie Canada is best understood in the context of changing late-nineteenth-century and early-twentieth-century social, economic, and technological developments. From the first entrepreneurs who attempted to lure customers in to movie exhibition halls, to the digital revolution and its impact on moviegoing, Reel Time highlights the pivotal role of amusement venues in shaping the leisure activities of working- and middle-class people across North America. As marketi
Motion pictures -- Social aspects -- United States. --- Motion pictures --- Motion picture theaters --- Music, Dance, Drama & Film --- Film --- Social aspects --- History --- Economic aspects --- History. --- Cinemas --- Movie theaters --- Moving-picture theaters --- Theaters, Motion picture --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- History and criticism --- Theaters --- Audio-visual materials --- Mass media --- Performing arts --- Prairies --- Theatres --- Nickeolodeon
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